W Magazine Just Got A Big Hiring Win
Photo: WENN
In the past few weeks Conde Nast made a flurry of announcements, the largest of which is the transition of Style.com from a content platform to a focus on e-commerce. With that announcement came a string of revelations and a resulting string of departures from the publication. The latest? Style.com editor-in-chief, Dirk Standen is leaving the publication.
The announcement is a slight surprise in that with the new direction, there will be two EICs — one for the new iteration of Style.com as an e-commerce platform and likely one over the VogueRunway.com platform — and Dirk will hold neither one. That either means that one is to expect a lessening of focus on editorial or a different methodology, and we’re believing the latter. In fact we’re thinking of an Eva Chen type figure for the new Style.com and someone not as notable for the VogueRunway.com slot.
But Standen doesn’t plan on sitting idle. In fact he already has his next plan, he’s heading to W Magazine to head up the online platform there. In our opinion it’s with good reason; the publication hasn’t ever completely translated the energy that they bring to print online. Hopefully he can do that.
As we await his version we look back at a few W Magazine covers we loved.
The post W Magazine Just Got A Big Hiring Win appeared first on StyleBlazer.
Derek2Ill is busting out the hinges of a “Magic Box.” The new single, presented by Digital Dynasty Music Group features Biggz and comes with production by Zero 610. Listeners will get minutes of in-your-face bars that will keep whack rappers on the sidelines. Classic cuts and scratches heighten the duo’s performance and message. Stream “Magic Box” and connect with the Bethlehem artist below.
Magic Box on Spotify –https://open.spotify.com/track/2frAsehYgtPrfMuxaIaEKx?si=ffaabda259754e3d
Connect
Derek2ILL Facebook:
https://www.facebook.com/profile.php?id=61558079643252
Derek2ILL Instagram:
https://www.instagram.com/derek2illddmg/
Derek2ILL Tiktok:
https://www.tiktok.com/@derek2illddmg
Biggz Instagram:
https://www.instagram.com/killembiggz/
Hip Hop beef may be back, but the antics are on another level. Rick Ross didn’t take Drake’s recent dis track Push-Ups lightly. Rozay immediately took to the studio to comeback at the ‘white boy’ with a dis of his own entitled Champagne Moments. The MMG CEO explains that he is on a different level of gangster and the Instagram antics can’t get him out of a luxurious seat in his private hanger. While exposing fandom audio, switchable accusations, and fake body parts, Rozay says this beef has to end face to face. Let us know your thoughts on the official video below. Stream your copy of the single here and follow Rick Ross on Instagram and Twitter.
In the bustling streets of Southeast, Washington DC, rapper Kazon’s latest offering, “My Brother,” emerges as a symphony of redemption and advocacy, resonating with audiences far and wide.
Kazon’s path to musical stardom has been fraught with obstacles, from brushes with the law to a brush with death that left him scarred but unbroken. Through it all, he credits his resilience to the belief that every setback is an opportunity for growth.
With “My Brother,” Kazon takes on the role of a lyrical mentor, offering guidance and solace to Black youth grappling with violence and systemic oppression. Through heartfelt verses and melodic refrains, he shares his own journey of redemption, using his past mistakes as a catalyst for change.
At its core, “My Brother” is a call to action—a plea for unity, love, and advocacy within the Black community. Kazon’s harmonious tale serves as a reminder that through solidarity and advocacy, we can effect real change and pave the way for a brighter future.
As the final notes of “My Brother” fade into the ether, Kazon’s message lingers: every trial is a testament to our strength, and every mistake is a chance to do better. Through his music, he invites us to join him in a journey of redemption and advocacy—one that holds the promise of a more just and equitable world for all.
Listen to Kazon’s music here:
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