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Brother Where Art Thou?: Leaving Black Men Out of the Black Hair Revolution

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I’m married to a man who’s absolutely obsessed with sports. We rarely watch TV together because he is content to watch ESPN around the clock. Sunday morning was one of those rare times we were watching TV together. He was tuned into some show recapping the Bengals vs Steelers playoff game. I was barely watching or listening when I heard, “Assistant Coach Mike Munchak pulled Reggie Nelson’s hair!”

I snatched the remote to rewind because I was sure I hadn’t heard what I thought I heard. I watched this white man — an assistant coach — grab the locs of a black player. I had to replay the clip four times. That scene was a virtual commercial for white supremacy. The symbolism, dehumanization and racist arrogance of the incident made me realize that black men are often overlooked in conversations about discrimination against black hair.

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Though the stigma attached to natural black hair and hairstyles is still a very real problem for black women, our widespread unabashed embrace of our hair has forced some acceptance. That’s not to say that we aren’t still being targeted for choosing to wear our hair in its natural state, but that we are on our “deal with it” steez and that is making people realize their disdain for our twistouts, crochets, afros and braids is a problem of their colonized minds not ours. That revolution in our thinking and attitudes toward our natural hair has quite naturally (pun intended) excluded black men. We’ve forgotten that their locs, cornrows and high fades are ridiculed and stereotyped as much as ours.

I remember receiving an employee handbook that discussed appearance. It noted that men were not to have their hair “longer than four inches” and that it must be “neatly groomed.” One of my coworkers, a black man, and I were talking once and he mentioned he wanted to grow out his hair. I asked why he didn’t and he gave me the standard black people “stop playing” look, going on to say, “You already know these white folks ain’t having it.” I was in Human Resources at the time and pointed out the vague limitations on men’s hair outlined in the employee handbook. He replied, “You know what they mean though.” I dropped it because I could see he wasn’t ready to or interested in risking the fight both he and I knew would result from four inches of hair on the head of a black man employed in the IT department of a law firm.

If he were so inclined though, that would’ve been a battle I would have loved to fight with him. It’s not uncommon for non-black men in corporate America to have four inches of hair on their head. Their hair is perfectly fine for meetings, presentations and representing the company. Black hair typically grows out and up though. So four inches of hair growing from a black man’s hair won’t just hang naturally. That means those four inches have to be groomed into an Afro, fashioned into locs or individual braids, or cornrowed.

I adore longer hair on black men be it three-inch fades, flowing locs or cornrows. It’s not so much the aesthetic qualities of these styles that I like, but the middle finger to assimilation they represent. It’s black men refusing to fit into the “non-threatening” image of black man society has created.

And predictably, just as with the backlash against black women, their is backlash against black men who don’t keep low Caesers. I’ve read too many admonishments to black men about how “dreadlocks are not professional.” Somehow, neatly maintained locs lying on his back prevents a black man from performing his job well. I’ve seen too many people associate cornrows with criminality, as if the cross stitch pattern somehow turns black men and boys from model citizens to criminals.

Earlier this year, there was a video of a black man in Baltimore during the riots being taken down by his hair and pepper sprayed. The same feeling of unbridled rage welled up in me seeing a professional football coach grab a black man’s hair. Whenever I’ve witnessed a man pull the hair of a woman, it was a pathetic attempt to prove his manhood. I imagine it’s the same with yanking a black man’s hair. It’s an attempt to emasculate him, reminding him that no matter his refusal to fit into the narrow confines of respectability, he’ll always be powerless over his own body. It attacks an instrument of revolution: black non-conforming hair.

I remember the first time I took out braids over the weekend and didn’t have time to get them redone. Sunday night, I stood in my bathroom mirror off and on for hours trying to convince myself to wear an afro puff into the office. Eventually, I decided to call out the next day and go get my hair braided. I’ve since overcome my anxiety about displaying my natural hair in the office, thanks largely in part to other black women who’ve shown me that our hair is not a problem.

I wonder if there are black men going through the same. I wonder if they wrestle with the decision to rage against respectability and grow out their hair to achieve the dopest locs or nicest cornrows. They need a revolution too, even if just one of the mind. They need to start loving their hair the way black women have learned to love ours.

A little about me:
I’m La Sha, a writer and blogger committed to using my writing to deconstruct oppressive ideologies and systems, particularly misogynoir, racism, patriarchy and elitism. My work has been featured on Blavity, Atlanta Black Star, Clutch Mag and For Harriet, and I am the founder of The Kinfolk Kollective blog.

FB: The Kinfolk Kollective Twitter: @knflkkollective IG: kinfolkkollective Website: www.kinfolkkollective.com

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Skilla Baby Teases New Project With “Free Big Meech”

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Save the date because April 26 comes the latest project The Coldest. Skilla Baby is poised for the announcement by unveiling a brand new single Free Big Meech. Produced by MIA JayC and Lee Choppn, this single hinges on tense synths and punchy 808s, while Skilla Baby unleashes a vital verbal flurry. Paving a lane to the forefront of the game at high-speed, rising Detroit rapper spoke on the project:

I took my time to put this project together… Sometimes, I feel like people try to place me in a box. The pressure of being a new artist, being successful, staying disciplined, and still clocking into the studio is very strenuous. But fun at the same time. As an artist, I’m known as the “Girl’s guy”. But I’ll never forget I come from the streets. As a real person, I feel so many emotions (mad, sad, happy, anxious, etc.). I say that to say, sorry for the wait but I wanted to put everything I feel into one project. Grab your coats…

Next up, the Vultures Eat The Most Tour takes him across the country on his most extensive jaunt yet. He also joins forces with New Orleans heavy-hitter Rob49 to co-headline the tour with tickets available here. This year is gearing up to be the coldest yet so pre-order your copy of the project here. Stream the official audio below and connect with Skilla Baby 0n Instagram, TikTok, and YouTube

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“Wake Up” With Young Franco & Master Peace

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It’s harder to wake up when you have mundane ish to do. Unveiling a brand new music video, Young France recruits UK Indie sensation Master Peace for huge new track Wake Up. Life becomes easier when you’re on the path to becoming a rockstar. The music video, shot in the UK, follows Young Franco and Master Peace individually, through a first-person lens as they undertake “mundane” daily activities until they then meet and begin to enjoy the iconic streets and taxis of London together. Franco spoke on the track:

Working with Master Peace has been an amazing experience. I found out about his project via his record “Eyes on You” and have wanted to work with him since that moment. I was writing a bunch of tracks in 2020. One of them being an early version of Wake Up, which I wrote with Elliot from Delta Riggs. I connected with Master Peace online and once I got to London last year, we smashed this in a couple of hours. His new record is fantastic and I’m super excited how this one turned out. Special mention to Danio from Husky Loops for some added production too.

Young Franco has started 2024 off with a bang, where he teamed up with UK rapper S1mba for the release of the funk laid hip hop track HITA. Wake Up follows a busy year of touring already, where he has done a sold out run of Europe with a string of sold-out shows in the USA. Young Franco has accumulated over 200 million streams and plans to continue to put Astralwerks Records on the map. Stream your copy of the single here and watch the dreamlike visual below. Stay connected with Young Franco on Instagram, Facebook, and Soundcloud

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Albums

GBaby A Million Unleashes Heat with “Da City” Featuring DJ Tree Gotti & OG HUSTLE

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GBaby A Million showcases his versatility and lyrical prowess in his latest smash single, “Da City,” featured on the album “Concrete Rose.” Teaming up with DJ Tree Gotti and OG HUSTLE, GBaby delivers an energetic anthem that resonates with the spirit of city life.

“Da City” is more than just a rap song—it’s a vivid portrayal of the culture, struggles, and triumphs found within city streets. With dynamic verses and a catchy beat, GBaby A Million, OG HUSTLE, and DJ Tree Gotti paint a picture of unity, resilience, and pride, capturing the essence of those who hustle and grind in the concrete jungle.

Listeners will find themselves nodding along to the infectious rhythm while absorbing the raw honesty and authenticity of the lyrics. GBaby A Million proves once again why he’s a force to be reckoned with in the hip hop scene, leaving audiences eager for more.

Don’t miss out on the fire vibes of “Da City” and be sure to check out GBaby A Million for more electrifying tracks.

 

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