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MJ Gets to Know Cuban Pete, England’s Famed Emcee of 30 Years @c75Designs

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MJ here, your favorite Hip Hop Blogger! Tonight we will get to know England’s well-known and established recording artist, Cuban Pete. First and foremost, thank you for connecting with me and taking time out of the studio for this interview.  Before we begin, I must share that in terms of travel I live through the artists that I interview.  With that being said, tell me what life is really like in England! I want to know similarities, and differences of course with lifestyles and the music scene. I’m also curious what it was like for you growing up in England.  Did you fascinate about the states, like most of us here fascinate about other countries?

CP: England’s different. It’s not as extreme as America. There’s always similarities though. I feel things are becoming more “in your face” as people and society changes. A lot of kids are crazy confident now because of this whole, everyone is a celebrity culture we’re in.  People aren’t scared to make money by being stupid. They think all press is good press.

I can only talk about myself.  I did always look up to America as the birthplace of Hip Hop, even though there is a great respect for the culture over here from most fans. When I started rhyming myself I was already involved long enough to know better than to try and copy the accent of it all. That’s been outlawed in the UK for years now! Although you still get the odd rapper, and more mainstream influenced who you would swear is from Atlanta but is actually from Sunderland.  The ones caught up in the “stuntin and frontin” lifestyle.

A word to the US though; don’t listen to Westwood riding the grime wave to stay “relevant”. UK Hip Hop has been strong and unique for years before grime hit. Shouts to Hijack, Blade, Katch 22, Silver Bullet, Gunshot, MC Mello, Icepick, London Posse, Mud Fam, Task Force, and many others for paving the way and carrying on tradition.

MJ:  It is refreshing to learn that you are part of the emcee crew, a true Master of Ceremony.  You take pride in creating music that gives purpose, and meaning.  Why is that key for you?  I mean there are endless rappers who simply create music to make a quick, catchy hit.  What separates you from that lane?

CP: When I was growing up it was about talent and skills and for most heads those are the real markers MCs are judged by. These “mumblesexuals” today can’t compare. When they decide they are fed up of being wack and try and step up their game lyrically their fans will feel like idiots for liking their wack stuff.

We all like having hits, and getting that recognition. To appeal to the mass public can mean a dilution. I think that’s changed somewhat. It’s not so much a dilution of the music these days, though obviously jumping on the latest trend helps, but it’s also a dilution of yourself. Doing anything and everything to stay “relevant”. It’s about finding a balance and being true to yourself.

MJ: Although you are “Old School” in a sense with your music, you do exude levels of uniqueness and originality so you are not boxed in or labeled as only creating one type of sound or style.  So besides capturing the essence of true Hip Hop, what else does your music offer to listeners? What can they expect from you as a recording artist?

CP: I say I’m Old School because I’ve been into this industry for around 30 years. I grew through the Golden Era and I have that inventiveness and originality inside of me. But I’m still fairly new as a serious recording artist. I’m working with several producers on different projects that I want to have different feels. I want to create music that people recognize through the saturation of the market.

MJ:  You mention that style is essential!  Elaborate on that.

CP: I’m an artist. That translates through the visual and the audio. As an artist, an original artist, you have to have style. Style that people recognize as you. It’s not about fitting in its about standing out.

MJ:  Talk about the fans and appreciation for music.  I know the Hip Hop scene and culture overseas is incredible and intense!

CP: Any artists from the US who has travelled overseas will tell you how the love for the culture is greater over here. The appreciation is great. The music really brings people together. Most of the backbiting is just between the artists. Obviously there’s people who’ll love a Lady Leshurr but not know who Craig G is but that’s par for the course. Not everyone who raps knows their history but a lot of fans do. Don’t piss off a UK rap fan though (or even a UK rapper) because you’ll be dead to them from that point on.

MJ: Can you tell us what’s hot right now with Cuban Pete?  Also what can we look forward to in the new year?

CP: I’m working on my promotion more, to get my work out there. I’ve just started a new website, www.nomadsstreetteam.com, with another talented artist on the FNBG Records roster called Just Write. Were trying to make it the next thisis50!  And I’ve still got my www.c75live.com site of course.

I’m going to keep the singles and videos coming as well as my “Renaissance Man” mixtape, followed by my “Capital C Capital P” album, and my collaboration album “When Warriors Come Out to Plaaaaayyy”.

I also have the “Live Test’ ep with OneMike (T.E.S.T Squad), an as yet untitled project with NY producer B.Dvine www.bdvinemusic.com. I have several Gorilla Army projects and a joint album with the head of the army D.Original Mr.Blue www.hoodiswatching.com. Also in the works is an album called “A War Goin On Outside” with DJ WIZ (Wu Coalition DJ). That should keep me busy…

I design clothing and merchandise for Krumbsnatcha’s label Mind Power Entertainment at www.mindpowerwear.bigcartel.com, and Gorilla Army at www.gorillagearshop.bigcartel.com. I’ll be putting together something with OneMike called Kings Ransom. Me and Mike have been working together for a while now. He’s part of my C75 Live Crew and I’m part of his T.E.S.T. Squad.

I also have my hands full with my design work doing art covers, flyers, etc.

MJ:  Lyrics or beats? As an artist do you have the opinion that one outweighs the other?

CP: You can use either to make a dope track but the best tracks use both. But I came in the game loving lyrics and wordplay, which is why I emcee instead of making beats I guess.  Although I’d love an MPC.

MJ:  Let’s talk collaborations.  Who is on your list to share the stage or studio time with?

CP: Tragedy Khadafi is a possibility right now. Redman and Method Man would be a dream. I don’t really think about it like that though. Most of my collaborations have come about through talking and vibing, or a trade of skills like artwork for a verse. It’s been a mutual organic thing, as opposed to me pursuing or outright paying someone.

MJ:  You have worked with many major artists, some of my top favorites such as Pacewon, Blaq Poet, and Krumbsnatcha!  Did they share any words of wisdom, or drop any jewels on becoming successful in the music industry?

CP: Those guys have done it all so yeah I pick up things, like I do from most people I work with. But the main thing I get from collaborations is that feeling of competition. Proving I can hang or be better than who I’m on the track with. My collaboration album will be crazy!

MJ:  Let’s play the 3 game so readers can get to know you a little better.  Who is in your top 3 personal playlist? What 3 places would you like to tour? Who are 3 influences, personally and musically?

CP:  3?   I had an 160GB IPod and filled it! My favorite album ever is “illmatic”. I have a best of M.O.P. I put together, and a best collaboration ever playlist. I can’t get it down to 3 artists, you’re crazy, lol!

Touring would be America, Brazil, and… I’ve heard Germany is live out there with the fans.

Personal influences come and go. Heroes are human and let you down.  Musically though I’d say Redman, Wu-Tang as a collective, and the third is probably a D.I.T.C. or B.C.C. type collective. Only three is hard after 30 years.

MJ: As we wrap up, is there anything else you would like the world to know about yourself?

CP:  I’m here to cut through the bullsh*t! You might not hear about me every day on these Hip Hop gossip sites but I will still be here in front or behind the scenes making moves. The race is not a sprint, the game is long.

MJ: Thank you again for taking time out for MJ! I wish you much continued success, salute!

Follow MJ @MJsHipHopConnex

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Interview

The Art of the Grynd: Restless Marc’s Guide to Success in the Music Industry

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The independent music scene is awash with tales of both burgeoning success and challenging setbacks. In a candid conversation with Shah Cypha on The Grynd Live, Restless Marc offers a deep dive into the life of an independent artist who’s not only producing and performing his own music but also navigating the industry with a distinct sense of identity and purpose. Here we’ll decode the intricacies of his journey, the significance of a robust support system, and the transformative power of perseverance in the music industry.

The independent music scene is awash with tales of both burgeoning success and challenging setbacks. In a candid conversation with Shah Cypha on The Grynd Live, Restless Marc offers a deep dive into the life of an independent artist who’s not only producing and performing his own music but also navigating the industry with a distinct sense of identity and purpose. Here we’ll decode the intricacies of his journey, the significance of a robust support system, and the transformative power of perseverance in the music industry.

Building a Brand: The Origin of “Restless Mark”

Embracing Uniqueness

The conversation with Restless Marc starts by delving into **the story behind his moniker**, an essential component of his identity within the music world. Initially known as Mark Erickson, a blend of his given name and father’s name, Marc reveals how “Restless” came into play, originally as part of a collective and later, permanently influencing his personal brand.

*”When you see me, you see dope people.”* This statement reflects Marc’s drive for originality and association with excellence, laying out a commitment to stand out in an industry replete with generic names. It’s not only a choice; it’s a statement. The significance is not lost, as Shah Cypha keenly observes, “*You got to have a name. When people google you, they’ll find you and not somebody else.*”

The Influence of Gaming on Music

An intriguing twist in Marc’s narrative is the **evolution of his stage name from a gaming tag**. The digital realm and its subcultures offer a space for reinvention and experimentation. For Marc, crossing elements from his gaming identity into his musical persona is more than a branding exercise; it’s an organic merging of passions, indicative of how modern artists are often multifaceted individuals.

From Setback to Comeback: Recovering from Loss

The Value of Resilience

In what could be regarded as a devastating blow, Marc recounts the theft of his laptop and the ramifications it had on his music creation process. Here, we witness a crucial theme: **the role of hardship in defining an artist’s path**. Despite the setback, Marc channeled this experience into a form of motivation, reinforcing Shah Cypha’s perspective on the importance of converting negative experiences into positive outcomes.

Continuation Through Creation

The interview delves into the mental and emotional processes that blend **Marc’s personas as a producer and an artist**. Whether it’s producing in the dark to cultivate a specific ambiance or finding unexpected inspiration for lyrics, we see a glimpse into the intimate journey of creation. Marc’s narrative is a testament to the ongoing drive to create, despite obstacles, and the undying belief in oneself common to successful artists.

Ambitions Beyond the Microphone: Restless Marc’s Vision

A Vision for Diversification

As the discussion shifts to future goals, Marc outlines his ambition **to impact various aspects of culture**, including fashion and potentially sports. His intentions to remain independent and to build upon his own brand mirror the forward-thinking ethos of artists like Dr. Dre and Kanye West, who have diversified their reach while simultaneously contributing to their music’s authenticity and intimacy.

Breaking the Mold of an Artist

Tackling the broader implications of a music career, Marc speaks on wanting to exist beyond the music. His blueprint for success elucidates how modern independent artists must cultivate a multi-disciplinary approach to their careers, blending creativity with **business acumen**.

In synthesizing his past experiences with his aspirations, Marc’s trajectory underscores a fundamental shift in the music industry. No longer is it enough to produce hit records—now, artists are challenging themselves to be innovators, influencers, and entrepreneurs.

Restless Marc’s story reveals a reality where victory is not just about endurance but about the expansion of one’s horizons. In sharing his journey, his resilience, and his plans for future conquests, Marc becomes both a product and a prophet of the evolving musical landscape—a restless force in an industry that never sleep

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BLKTEMBER Drops Debut Single “Keep In Touch” Bringing Atlanta’s Soul to the Airwaves

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Atlanta-based artist BLKTEMBER emerged onto the music scene with his debut single “Keep In Touch,” released on June 25, 2022. Produced by soundsbysammy and engineered by BLKTEMBER himself, the track is a seamless blend of R&B and pop, showcasing the artist’s versatility and unique sound.

For BLKTEMBER, the motivation behind “Keep In Touch” was sparked by the infectious beat. “Honestly, the beat motivated me. From the very first time I listened to it, I had my idea for the song and I knew I had to finish it,” he shares. This enthusiasm translated into a captivating track that marks his official introduction to the music world.

As BLKTEMBER’s inaugural release, “Keep In Touch” holds a special place in his heart. “This is my first released song, the very first song I invited the world to listen to,” he reflects. With lyrics like “I hate we’re in different places, never been good with patience,” the song captures the essence of longing and connection, resonating with audiences on a deeply personal level. As BLKTEMBER continues to hone his craft, fans can anticipate more soulful melodies and captivating storytelling in his upcoming projects, promising a fusion of R&B, pop, and hip-hop influences.

Stay Connected https://www.instagram.com/blktember/

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Music

ISH Money Drops Infectious Anthem “I Need A Bad Bitch”

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Emerging from Elizabeth City, NC, ISH Money electrifies the music scene with his latest track, “I Need A Bad Bitch,” released on April 6th, 2024. Produced by the dynamic Stxnk and engineered by the renowned Kelly Bangaz, this song is a testament to ISH Money’s commitment to crafting infectious beats and unforgettable hooks. With his Instagram @ishmoney252 buzzing with anticipation, the artist aims to captivate listeners with this club-ready anthem.

When asked about the motivation behind the song, ISH Money shared, “My motivation behind this song was to make people dance and have fun in the club or at a party.” Indeed, “I Need A Bad Bitch” exudes an irresistible energy that ignites any dance floor, blending catchy lyrics with pulsating rhythms. For ISH Money, this track holds special significance as it embodies good vibes and an invitation to let loose and enjoy the moment.

Among the standout lines in the song, ISH Money highlights, “R.I.P Pop smoke girl shake the room.” Paying homage to the late Pop Smoke, ISH Money adds a heartfelt touch to the track, honoring the legacy of the talented artist whose impact resonates deeply in the hip-hop community. As fans eagerly await ISH Money’s upcoming project, teased to be 65% completed for a summer release, “I Need A Bad Bitch” serves as a tantalizing preview of the artist’s evolving style and infectious energy.


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