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Appeals Court Rules in Favor of Modular’s Steve Pavlovic in Tame Impala-Related Lawsuit

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Appeals Court Rules in Favor of Modular's Steve Pavlovic in Tame Impala-Related Lawsuit

Tame Impala photo by Matt Sav

Earlier this year, two lawsuits relating to Tame Impala were filed against the band’s former label Modular, and the label’s founder, Steve “Pav” Pavlovic. One, filed by BMG, the rights management organization that handles the band’s music, alleged that Modular and Pavlovic, along with Universal Music Group and Universal Music Australia, failed to make quarterly payments on Tame Impala royalties.

Separately, Universal Music Australia sued Pavlovic, claiming that they’d acquired ownership of Modular at the end of 2014 when he allegedly signed away his shares. Pavlovic argued that since he had never physically signed the document, he hadn’t legally entered the agreement. (He told Billboard,I had felt bullied into agreeing the terms and then got my second wind and stood up to say ‘no’.”)

Now, months after an Australian court initially ruled in UMA’s favor, Australia’s Court of Appeals of New South Wales has reversed the decision and ruled for Pavlovic.

The ruling centered around a legal agreement that would’ve signed away Pavlovic’s Modular shares to Universal. Back in June, the Supreme Court of New South Wales ruled that while Pavlovic hadn’t physically signed the agreement, he’d agreed to do so. In the decision, the judge wrote that “Mr Pavlovic deliberately lied when he sent emails to representatives of the plaintiff stating that he had signed various documents.” (The judge also added, “I formed a most unfavourable opinion of Mr Pavlovic. He is a self-confessed liar who, it seems, effortlessly resorts to mendacity if he thinks it will suit his commercial ends.”)

However, the appeals court’s Chief Justice ruled that a binding agreement wasn’t reached, allowing Pavlovic to maintain 50% ownership of Modular as well as his directorship. The judge also ordered Universal to pay Pavlovic’s legal fees.

In a statement, Pavlovic wrote:

I’m obviously greatly relieved that my position has been vindicated by such powerful minds. I built Modular out of sheer passion and a belief in unique creativity. I regret terribly that the bands I have nurtured and adored all these years were caught in the cross-fire between Universal and I. It’s stressful to be one man staring down a corporate giant the size of Universal however I felt I had no choice but to fight for myself, the label I created and for the bands that we represent. I’ve always held Universal, and George Ash in particular, in high regard. We enjoyed many great years together as partners and I’m sad that we have reached a bitter end. I wish him and all beings UNIVERSAL LOVE. I’m hopeful that time will heal all wounds and that the respective bands and labels alike can get on with the job of what drew us all together in the first place – a desire to see great artists brought to the world stage.

A press release issued by Pavlovic also claims that BMG’s lawsuit over mechanical royalties “is to be dismissed” by the Southern District Court of New York. (Previously, Pavlovic had said BMG was no longer suing him; instead, both sides had entered settlement talks.) He also issued a statement on that ruling:

I’m pleased that the misunderstanding about the US statutory rate for calculation of mechanical royalties has been resolved in the commercial manner always intended by the parties. I’m deeply sorry for any upset caused to Tame Impala given that I’ve always been a staunch supporter and fan of the band; and to BMG given the relationship we’ve always enjoyed with them. I also regret the heavy handed press coverage of this aspect of Modular’s affairs which was completely inaccurate and out of hand. However I hope that with Universal and Modular’s respective obligations to BMG on behalf of Tame Impala now resolved that a line can finally be drawn under this unfortunate chapter.

Previously, Tame Impala’s Kevin Parker had described himself as a spectator in the legal back-and-forth. “I just find it counter-productive to get worked up over it,” he said. “They’re just gonna battle it out and do their thing.”

Tame Impala’s new album, Currents, was released in July.

Watch the band perform “Feels Like We Only Go Backwards” for Pitchfork.tv:

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Albums

Reezie Roc Releases Epic Visuals To “What Playas Ride To” A New Song From His New Album “Dapper Season 2”

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In the realm of hip-hop style, few can rival Reezie Roc—and his newest music video is a testament to his unmatched flair. From tailored suits to top-shelf wine and cigars, Reezie Roc’s aesthetic is in a league of its own, solidifying his status as a true trendsetter.

But Reezie Roc isn’t just about the looks; he’s also reshaping the very fabric of hip-hop itself. With his sophisticated appearance and refined approach, he’s offering a breath of fresh air amidst the mainstream noise.

His music goes beyond entertainment—it’s a movement. Through his tracks, Reezie Roc imparts wisdom and insight, drawing from his own life experiences to guide listeners on a journey of self-discovery.

As the demand for new sounds grows, so does the influence of the Dapper Rap movement—a movement spearheaded by none other than Reezie Roc.

Fresh off the release of his latest album, “Dapper Season 2,” Reezie Roc continues to push boundaries and redefine the genre. Featuring collaborations with top-tier artists like Daizy Hunter, Imani Fordham, Cory Stone, and more, the album is a testament to Reezie Roc’s vision and influence.

For those eager to explore the cutting edge of hip-hop, look no further than “Dapper Season 2.” listen here:

 

Dive into the visuals for “What Playas Ride To” and immerse yourself in the world of Reezie Roc. With his leadership, the possibilities are limitless in this exciting new era of hip-hop.

 

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Music

Bailey Snow Shines Bright Like A “Pink Diamonds”

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SoFaygo-producer Trenton Kyle handles instrumentation duties for Alternative act Bailey Snow‘s latest single “Pink Diamonds.” Following the release of “5150” back in March, “Pink Diamonds” is a fun upbeat song with catchy flows that centers around simply wanting more for yourself.

In a press statement, the North Carolina native revealed: “Pink diamonds speak to my future existence. It depicts everything I see myself achieving. Definitely something you can play anywhere; your car, a party, or whenever you need to hear something inspiring.”

Combining the genres of Hip-Hop, EDM, Punk, and Rage, Bailey Snow has successfully cultivated a unique brand of sonics in just a few short years. With the canny ability to set the mood for a kick back while simultaneously having you reflect on your darkest moments, his music paints a picture with words that allow listeners to see the world through his eyes.

Stream “Pink Diamonds” on your DSP of choice below via Nu Nation / Vydia and watch the visual for “5150” | HERE.

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Interview

The Art of the Grynd: Restless Marc’s Guide to Success in the Music Industry

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The independent music scene is awash with tales of both burgeoning success and challenging setbacks. In a candid conversation with Shah Cypha on The Grynd Live, Restless Marc offers a deep dive into the life of an independent artist who’s not only producing and performing his own music but also navigating the industry with a distinct sense of identity and purpose. Here we’ll decode the intricacies of his journey, the significance of a robust support system, and the transformative power of perseverance in the music industry.

The independent music scene is awash with tales of both burgeoning success and challenging setbacks. In a candid conversation with Shah Cypha on The Grynd Live, Restless Marc offers a deep dive into the life of an independent artist who’s not only producing and performing his own music but also navigating the industry with a distinct sense of identity and purpose. Here we’ll decode the intricacies of his journey, the significance of a robust support system, and the transformative power of perseverance in the music industry.

Building a Brand: The Origin of “Restless Mark”

Embracing Uniqueness

The conversation with Restless Marc starts by delving into **the story behind his moniker**, an essential component of his identity within the music world. Initially known as Mark Erickson, a blend of his given name and father’s name, Marc reveals how “Restless” came into play, originally as part of a collective and later, permanently influencing his personal brand.

*”When you see me, you see dope people.”* This statement reflects Marc’s drive for originality and association with excellence, laying out a commitment to stand out in an industry replete with generic names. It’s not only a choice; it’s a statement. The significance is not lost, as Shah Cypha keenly observes, “*You got to have a name. When people google you, they’ll find you and not somebody else.*”

The Influence of Gaming on Music

An intriguing twist in Marc’s narrative is the **evolution of his stage name from a gaming tag**. The digital realm and its subcultures offer a space for reinvention and experimentation. For Marc, crossing elements from his gaming identity into his musical persona is more than a branding exercise; it’s an organic merging of passions, indicative of how modern artists are often multifaceted individuals.

From Setback to Comeback: Recovering from Loss

The Value of Resilience

In what could be regarded as a devastating blow, Marc recounts the theft of his laptop and the ramifications it had on his music creation process. Here, we witness a crucial theme: **the role of hardship in defining an artist’s path**. Despite the setback, Marc channeled this experience into a form of motivation, reinforcing Shah Cypha’s perspective on the importance of converting negative experiences into positive outcomes.

Continuation Through Creation

The interview delves into the mental and emotional processes that blend **Marc’s personas as a producer and an artist**. Whether it’s producing in the dark to cultivate a specific ambiance or finding unexpected inspiration for lyrics, we see a glimpse into the intimate journey of creation. Marc’s narrative is a testament to the ongoing drive to create, despite obstacles, and the undying belief in oneself common to successful artists.

Ambitions Beyond the Microphone: Restless Marc’s Vision

A Vision for Diversification

As the discussion shifts to future goals, Marc outlines his ambition **to impact various aspects of culture**, including fashion and potentially sports. His intentions to remain independent and to build upon his own brand mirror the forward-thinking ethos of artists like Dr. Dre and Kanye West, who have diversified their reach while simultaneously contributing to their music’s authenticity and intimacy.

Breaking the Mold of an Artist

Tackling the broader implications of a music career, Marc speaks on wanting to exist beyond the music. His blueprint for success elucidates how modern independent artists must cultivate a multi-disciplinary approach to their careers, blending creativity with **business acumen**.

In synthesizing his past experiences with his aspirations, Marc’s trajectory underscores a fundamental shift in the music industry. No longer is it enough to produce hit records—now, artists are challenging themselves to be innovators, influencers, and entrepreneurs.

Restless Marc’s story reveals a reality where victory is not just about endurance but about the expansion of one’s horizons. In sharing his journey, his resilience, and his plans for future conquests, Marc becomes both a product and a prophet of the evolving musical landscape—a restless force in an industry that never sleep

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