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Arcade Fire’s Will Butler Reviews Grimes’ Art Angels

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Arcade Fire's Will Butler Reviews Grimes' Art Angels

Arcade Fire‘s Will Butler has written about GrimesArt Angels for the Talkhouse, the website where musicians talk about other music.

Butler grapples with how to approach the album: 

I appreciate and admire Art Angels. That sounds lame — no, it’s like how Orthodox Jews and devout Mormons get along. “I respect your devotion, and you probably understand me better than, say, anyone else on this F train — but I really, really don’t care that much about your Jesus. High fives on father Abraham, though.”

“In Art Angels, Grimes is coming, to a large extent, from the world of 2000s pop, but she creates a giant, esoteric, viable world teeming with all sorts of poisonous Jurassic life,” he writes. “My problem — my personal problem — is that I grew up prejudiced against 2000s pop, and that the atmosphere of the Jurassic period has the wrong ratio of elements for my organism. I’m more Cretaceous.” 

Butler is the biggest fan of “Scream”, which features Taiwanese rapper Aristophanes over Grimes’ production. “The language barrier is a filter through which only charisma can pass,” he writes. “Aristophanes is plenty charismatic. Grimes’ production is charismatic. The work is divine and human.”

He compares the album’s usage of filter sweeps to Eiffel 65’s “Blue”, which he notes was “the song that was everywhere in my teenage years, and I hated it. And I hate it still.” He talks about trying to enjoy the album in spite of his prejudices, which previously kept him from liking Bob Marley and Bob Dylan, and also compares her to Prince. 

Grimes is a genuine world-builder,” he writes. “She might could make worlds big and convincing enough to change lots of people’s perception of the actual world. It feels cold to stand outside her creation and judge it. It’s like watching the Big Bang from a different dimension — the heat and the particles flying, all future life boiling into itself, the globe of reality expanding.”

Read the full review here.

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G-Eazy Re-surges With Remix Of Viral Hit “Lady Killers III”

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Yesterday marked the release of G-Eazy‘s Lady Killers III. A fresh rendition of his explosive viral hit originally dropped in 2012. The recent success of the remix underscores the timeless appeal of G-Eazy’s music and his ability to resonate with audiences across different generations. Teaming up with veteran producers MD$, Tane, and music artist Goody Grace, along with his long-time collaborator Christoph Andersson, G-Eazy breathes new life into the beloved track. This remix comes amidst a surge in the song’s popularity, reaching impressive positions on various charts and platforms. G-Eazy spoke on the remix:

It feels like there’s a big wave of nostalgia going on right now, and I wanted to tap into that.

In addition to the remix, G-Eazy recently unveiled his latest single Femme Fatale, featuring Coi Leray and Kaliii. This release marks his return to the music scene after a year-long hiatus, showcasing his diverse musical influences and artistic evolution. With an impressive track record of platinum-certified albums and chart-topping singles, G-Eazy continues to solidify his position as a multi-faceted artist and influential figure in the music industry. Experience the revitalized energy of “Lady Killers III” by listening to the track here and watching the visualizer below. Don’t miss out on G-Eazy’s latest musical endeavors that promise to captivate audiences and ignite a new wave of appreciation for his artistry.

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@MoneybaggYo’s “Speak Now” Album Ignites Anticipation

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Prepare for a sonic revolution as Moneybagg Yo, the revered Memphis native, announces the release date for his highly anticipated album, Speak Now. Set to drop on May 24th this album marks Bagg’s eleventh solo project, following the monumental success of his previous albums. With a fusion of street sensibilities and modern trap influences, Bagg’s music resonates with audiences worldwide, solidifying his position as a rap titan. Moneybagg Yo shares:

‘Speak Now’ represents a new chapter in my journey as an artist. It’s a testament to my growth and evolution, both as a musician and as a person. I poured my heart and soul into this album, and I can’t wait for my fans to experience it.

Hip Hop Weekly hailed Moneybagg Yo as:

A versatile voice in hip-hop, blending authenticity with innovation to create music that transcends genres.

Collaboration has been instrumental in shaping the sound and style of “Speak Now,” with Moneybagg Yo joining forces with a diverse array of artists and producers. From his chart-topping collaborations with Future, Lil Durk, and Polo G to his solo hits like Wockesha and Time Today, Moneybagg Yo’s music is a testament to the power of collaboration. As the release date approaches, anticipation mounts for the unveiling of “Speak Now” and the opportunity to witness Bagg’s unparalleled talent in action. Stay tuned for the release of the album and join Moneybagg Yo’s musical journey by following him on Facebook, YouTube, Twitter, Instagram, and TikTok. Watch the official video to Bussin featuring Rob49 below.

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Mobby Rosas – “Up To Sum” f/ Westside Boogie (Video) + “The 4th Step” (Album)

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The track “up to sum” is one of my favorite stories of how a collaboration came about. WESTSIDE BOOGIE had posted an open verse challenge for his song “Mood” on instagram and I picked it up. I’ve done a few open verse challenges before, to no favorable outcome other than just posting more content. I didn’t think much would come of this verse entry. I recorded my video audition for the song while at work, I was a server at a hotel restaurant in downtown LA, in uniform and all. I posted it and tagged WS Boogie and to my surprise, he DM’d me saying that he thought my verse was hard and if I ever wanted him on a project, he was down. I remember reading the message at work and being in shock. I had wanted to work with WS Boogie for years and had even tried to reach out in the past, to no response. I immediately hopped on the opportunity to.
https://open.spotify.com/album/0pzXb8U4YlzfMyDWJmBfHS

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