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Brother Where Art Thou?: Leaving Black Men Out of the Black Hair Revolution

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I’m married to a man who’s absolutely obsessed with sports. We rarely watch TV together because he is content to watch ESPN around the clock. Sunday morning was one of those rare times we were watching TV together. He was tuned into some show recapping the Bengals vs Steelers playoff game. I was barely watching or listening when I heard, “Assistant Coach Mike Munchak pulled Reggie Nelson’s hair!”

I snatched the remote to rewind because I was sure I hadn’t heard what I thought I heard. I watched this white man — an assistant coach — grab the locs of a black player. I had to replay the clip four times. That scene was a virtual commercial for white supremacy. The symbolism, dehumanization and racist arrogance of the incident made me realize that black men are often overlooked in conversations about discrimination against black hair.

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Though the stigma attached to natural black hair and hairstyles is still a very real problem for black women, our widespread unabashed embrace of our hair has forced some acceptance. That’s not to say that we aren’t still being targeted for choosing to wear our hair in its natural state, but that we are on our “deal with it” steez and that is making people realize their disdain for our twistouts, crochets, afros and braids is a problem of their colonized minds not ours. That revolution in our thinking and attitudes toward our natural hair has quite naturally (pun intended) excluded black men. We’ve forgotten that their locs, cornrows and high fades are ridiculed and stereotyped as much as ours.

I remember receiving an employee handbook that discussed appearance. It noted that men were not to have their hair “longer than four inches” and that it must be “neatly groomed.” One of my coworkers, a black man, and I were talking once and he mentioned he wanted to grow out his hair. I asked why he didn’t and he gave me the standard black people “stop playing” look, going on to say, “You already know these white folks ain’t having it.” I was in Human Resources at the time and pointed out the vague limitations on men’s hair outlined in the employee handbook. He replied, “You know what they mean though.” I dropped it because I could see he wasn’t ready to or interested in risking the fight both he and I knew would result from four inches of hair on the head of a black man employed in the IT department of a law firm.

If he were so inclined though, that would’ve been a battle I would have loved to fight with him. It’s not uncommon for non-black men in corporate America to have four inches of hair on their head. Their hair is perfectly fine for meetings, presentations and representing the company. Black hair typically grows out and up though. So four inches of hair growing from a black man’s hair won’t just hang naturally. That means those four inches have to be groomed into an Afro, fashioned into locs or individual braids, or cornrowed.

I adore longer hair on black men be it three-inch fades, flowing locs or cornrows. It’s not so much the aesthetic qualities of these styles that I like, but the middle finger to assimilation they represent. It’s black men refusing to fit into the “non-threatening” image of black man society has created.

And predictably, just as with the backlash against black women, their is backlash against black men who don’t keep low Caesers. I’ve read too many admonishments to black men about how “dreadlocks are not professional.” Somehow, neatly maintained locs lying on his back prevents a black man from performing his job well. I’ve seen too many people associate cornrows with criminality, as if the cross stitch pattern somehow turns black men and boys from model citizens to criminals.

Earlier this year, there was a video of a black man in Baltimore during the riots being taken down by his hair and pepper sprayed. The same feeling of unbridled rage welled up in me seeing a professional football coach grab a black man’s hair. Whenever I’ve witnessed a man pull the hair of a woman, it was a pathetic attempt to prove his manhood. I imagine it’s the same with yanking a black man’s hair. It’s an attempt to emasculate him, reminding him that no matter his refusal to fit into the narrow confines of respectability, he’ll always be powerless over his own body. It attacks an instrument of revolution: black non-conforming hair.

I remember the first time I took out braids over the weekend and didn’t have time to get them redone. Sunday night, I stood in my bathroom mirror off and on for hours trying to convince myself to wear an afro puff into the office. Eventually, I decided to call out the next day and go get my hair braided. I’ve since overcome my anxiety about displaying my natural hair in the office, thanks largely in part to other black women who’ve shown me that our hair is not a problem.

I wonder if there are black men going through the same. I wonder if they wrestle with the decision to rage against respectability and grow out their hair to achieve the dopest locs or nicest cornrows. They need a revolution too, even if just one of the mind. They need to start loving their hair the way black women have learned to love ours.

A little about me:
I’m La Sha, a writer and blogger committed to using my writing to deconstruct oppressive ideologies and systems, particularly misogynoir, racism, patriarchy and elitism. My work has been featured on Blavity, Atlanta Black Star, Clutch Mag and For Harriet, and I am the founder of The Kinfolk Kollective blog.

FB: The Kinfolk Kollective Twitter: @knflkkollective IG: kinfolkkollective Website: www.kinfolkkollective.com

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Reckless Rhymacide Drops New Birthday Anthem “It’s Yo Birthday”

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Indianapolis’ own Reckless Rhymacide has just released his latest track, “It’s Yo Birthday,” produced by the renowned Whodunit Beats. This fresh spin on the classic “Happy Birthday” song brings a catchy vibe, making it a perfect fit for nightclub atmospheres and adult birthday parties. With its catchy beats and modern twist, the track is set to become a staple for birthday celebrations everywhere, offering a new, exciting way to mark the occasion.

Reckless Rhymacide’s “It’s Yo Birthday” showcases his unique flair for blending contemporary sounds with familiar themes, ensuring the song resonates with a wide audience. Whodunit Beats’ production enhances the track with deep, rhythmic basslines and sleek instrumentation, creating an immersive experience that draws listeners in. As the song gains traction, it’s poised to redefine how birthdays are celebrated, combining tradition with a fresh, energetic sound that captures the essence of today’s music scene.

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Unveiling BIG 4.1’s Anthem: “BIG SACK”

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Hailing from Gwinnett ‘DA NAWF’, BIG 4.1 emerges as a beacon of authenticity in the realm of hip-hop. With his latest track, “BIG SACK,” recently released and produced by the skilled Joe Peoples, BIG 4.1 delivers not just a song, but a mantra for financial empowerment and self-improvement. In a world obsessed with flaunting bags, BIG 4.1’s message cuts through the noise, urging listeners to focus on filling their “BIG SACK” with tangible wealth rather than mere appearances.

The song’s genesis stems from BIG 4.1’s desire to instill a culture of financial responsibility and foresight. Emphasizing the journey from a single $100 bill to a sizable nest egg, “BIG SACK” serves as a daily anthem for those striving to secure their futures. In an exclusive statement, BIG 4.1 explains his motivation: “It’s that time, it’s right on time for what’s going on and to teach our culture to save up that BIG SACK start at 20. By the time you’re 40 you can retire yourself if you do it right.” With lyrics that resonate beyond the beats, BIG 4.1 aims to spark a movement towards financial literacy and empowerment.

As BIG 4.1 gears up for his show in Anderson, South Carolina, alongside his team, the BOONDOCK KINGS, his mixtape “ME VS ME BAR-4-BAR THE MIXTAPE Vol 1” sets the stage for a musical revolution. Promising “HIP Rock” or “Kuntry Rap,” BIG 4.1 delivers an authentic sound that transcends genres, appealing to listeners from all walks of life. With originality and consistency as his guiding principles, BIG 4.1 stands out not just as an artist, but as a visionary ushering in a new era of meaningful music.

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Victor Ray’s Heart Explodes In “i tried.” EP

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Victor Ray, the rising star on Capitol Records, is set to release his highly anticipated EP, i tried., on June 14th. Until then he unveils the soul filling single Falling Into Place featuring the mesmerizing vocals of UK soul star Debbie. Written from personal experience, the track delves into the whirlwind of emotions that come with falling for someone new, capturing the hope and uncertainty of budding romance. According to Victor:

Falling Into Place” is about “meeting a stranger that you know could end up becoming a lot more.

Debbie relating to the same sentiment added:

The song makes you feel something.

Their collaboration brings an additional depth to the tracks genuine emotion. The EP follows Victor’s sold-out European tour and sees him joining Teddy Swims on his sold-out UK tour, kicking off in Manchester. Named as Apple Music’s new Up Next UK artist, Victor continues to captivate audiences with his soulful sound and heartfelt lyrics. Don’t miss out on his latest musical journey and follow Victor Ray today on TikTok, Instagram, YouTube, and Spotify. Stream “Falling Into Place” below and here.

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