Max Richter Performs Sleep Live for Eight Hours, Sets Guinness World Record on BBC Radio 3
Photo by Mike Terry
British composer Max Richter recently released Sleep, “an eight-hour lullaby” that is one of the longest single pieces in the history of classical music. As previously announced, Richter performed the entire composition live for the first time and gave the audience beds, instead of seats, encouraging them to sleep through it. BBC Radio 3 broadcast the event, which took place at the Reading Room at London’s Wellcome Center. The performance set Guinness World Records for longest broadcast of a single piece of music and longest live broadcast of a single piece of music. Listen to all eight hours here. See photos from the event (taken by Mike Terry) and hear audience members reflect on the performance below.
Richter’s Sleep performance took place from midnight to 8 a.m. on September 27. He played piano, keyboards, and electronics, and was joined by Grace Davidson (soprano), Natalia Bonner and Steve Morris (violins), Reiad Chibah (viola), and Ian Burdge and Chris Worsey (cellos).
Richter consulted with neuroscientist David Eagleman while working on the piece to learn about how the brain functions during sleep. “Sleeping is one of the most important things we all do,” he said. “We spend a third of our lives asleep and it’s always been one of my favourite things, ever since I was a child. … For me, Sleep is an attempt to see how that space when your conscious mind is on holiday can be a place for music to live.”
Not everyone can be a winner. Detroit native and hip-hop sensation 42 Dugg is back with a fiery new single, Win Wit Us. The track, a precursor to his highly anticipated album 4eva Us, Neva Them, showcases Dugg’s signature style and lyrical prowess. In the brand new single, produced by FLEXONTHEBEAT, TyMaz, and Marshak, Dugg calls out those who try to ride his wave without putting in the work, cementing his stance in the rap game. The release is accompanied by an official music video directed by Counter Point, where Dugg and his crew dominate the streets and clubs of Detroit, visually reinforcing his message of loyalty and resilience. Dugg raps in the hard-hitting track:
All of sudden they wanna win wit us / But ain’t spin with us.
Dugg previously teased this new era of his music with a trailer featuring Hill Harper, further building anticipation among his fans. “Win Wit Us” follows a series of recent hits including Wock N Red, SpinDatBac, and Go Again. Earlier this year, Dugg made a triumphant return to the stage with a sold-out “Welcome Home” show at Detroit’s Little Caesars Arena, featuring appearances by superstars like Meek Mill, Yo Gotti, Lil Baby, and more. Notably, the event saw Dugg unite Detroit’s rival hip-hop factions, Doughboyz Cashout and Team Eastside, in a historic move to end the city’s East-West beef. Fans can expect even more groundbreaking music from Dugg as he gears up for his upcoming album. Don’t miss out on the latest single available for streaming here and watch the music video below. Link up with 42 Dugg on Twitter, Instagram, and YouTube.
Indianapolis’ own Reckless Rhymacide has just released his latest track, “It’s Yo Birthday,” produced by the renowned Whodunit Beats. This fresh spin on the classic “Happy Birthday” song brings a catchy vibe, making it a perfect fit for nightclub atmospheres and adult birthday parties. With its catchy beats and modern twist, the track is set to become a staple for birthday celebrations everywhere, offering a new, exciting way to mark the occasion.
Reckless Rhymacide’s “It’s Yo Birthday” showcases his unique flair for blending contemporary sounds with familiar themes, ensuring the song resonates with a wide audience. Whodunit Beats’ production enhances the track with deep, rhythmic basslines and sleek instrumentation, creating an immersive experience that draws listeners in. As the song gains traction, it’s poised to redefine how birthdays are celebrated, combining tradition with a fresh, energetic sound that captures the essence of today’s music scene.
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