Connect with us

New Video: The ZYG 808 – The Concerto (@thezyg808)

Published

on

Check out “The Concerto”, the latest video from The ZYG 808. Zyg, a percussionist and lyricist was born in Bronx, NY and raised in New Bedford and Cape Cod, Massachusetts. His mother lives in the Bronx, so he visits there quite often.

The ZYG 808 is a reference to the Supreme Alphabet (Zig-Zag-Zig, Why God) and the classic drum machine, the TR-808.

He raps and plays a cocktail kit drum set at the same time. One night after a show, and audience member gave ZYG dap and said, “Yo, I’m calling you 808 from now on, ‘cause you got that beat going!”, so 808 was added to his name.

The ZYG 808 started drumming before he was born. His father would tap on his mother’s belly and he would tap back. His father started tapping out patterns and he would repeat them. He got his first drum set when he was four. His father is noted jazz artist and playwright, Mwalim DaPhunkee Professor and he grew up in a home where there was an instrument of some type in almost every room of the house. He gravitated to the djembes and hand percussion.

At age 10 The ZYG 808 got a full-sized drum set for his birthday along with lessons from GroovaLottos drummer, Eddie Ray Johnson. By age 11 he was featuring with the band at concerts and shows. By age 13 he joined the band as a percussionist.

The ZYG 808 began his musical career as a percussionist and drummer. He did his first studio session at age 7, adding African drums to the House Music album, “Deep Soul Chants & Hollers”. By age 12 he was a headlining performer at the Boston Jazz Fest.

His drumming influences include, Art Blakey, Max Roach, Clyde Stubblefield, Quest Love, Eddie Ray Johnson, Tito Puente, Joe Cuba, Lionel Hampton, and John Blackwell, Jr.

Also at age 13 was when he started MCing with his cousin, JJ Nice and showed a natural knack for lyric writing. By age 14 he and his cousins -performing as ‘Soul Poet’s Syndicate’ recorded and released, “Flippin’” an anti-opioid anthem and music video in support of regional anti-opioid campaigns. JJ Nice and his family moved to California and The ZYG 808 decided to keep going as a solo artist.

At age 14, when other kids were getting summer jobs as dish washers and cutting lawns, The ZYG 808 went on tour with The GroovaLottos as well as busked on Weekends, salting away his earning towards a bigger plan that he had in mind.

One Sunday morning he called a breakfast meeting with his father to discuss his plans to enter the Hip-Hop game as an MC, percussionist and producer and wanted guidance from his father in working with the industry. He also wanted to create a subsidiary of his father’s company, Liberation Multimedia, LLC called ‘Soul Poets Records’ that would focus on hip-hop and contemporary r&b, where as Liberation Multimedia is better known as a jazz, classic soul, and dance music label.

As part of his development, his father gave him a homework assignment for the next time he went to New York to visit his mother, “Pay a visit to 1520 Sedgwick Ave and say a prayer.” In his research, The ZYG 808 discovered that his father sent him to the birthplace of Hip-Hop when DJ Kool Herc threw a now legendary party on August 11, 1973.

In September of 2017, The ZYG 808 began making his first solo appearances as an MC and percussionist at community events, youth conferences, music festivals, open mics, local radio stations, and programs around New England and New York City. In April of 2018 he won his high school talent show with a performance of “Explanation”, driving the audience wild with his ability to rap and play drums at the same time.

Gravitating towards MCs who are storytellers, The ZYG 808 is a fan of contemporary artists such a J Cole, Kendrick Lamar, Jarren Benton, and Hopsin. He is also a serious fan of Rakim, Slick Rick, Special Ed, Public Ebemy, Dead Prez, Big Daddy Kane, Notorious B.I.G., Ice Cube, Nas, and A Tribe Called Quest.

He is quick to tell you that he is, “An Emcee, not a rapper,” noting that he doesn’t mumble rhymes into a USB mic on a laptop. He actually prefers live shows and the interaction he can have with a live audience. “I can host a show, not just perform. Also, everything I record has been performed live a bunch of times before we take it into the studio.”

The ZYG 808 is of Caribbean and Native American heritage. He is an enrolled member of the federally recognized Mashpee Wampanoag tribe in Mashpee, MA where he is an active member of the Youth Council. He is also a member of The Universal Zulu Nation.

He is currently a featured performer on The Phunk Hits 2018 summer concert tour along with The GroovaLottos and other featured artists.

The ZYG 808 ARTIST STATEMENT:

Reality Check: While my origins are from “The Hood” I’m not and don’t try to front like I am. I live in a rural/suburban area and my Pops is an artist and academic. I visit the Bronx a lot and feel very much at home there, but I have trees in my back yard. My father had me around The Last Poets, Askia Toure, and Amiri Baraka as a very small child. A lot of classic hip-hop and spoken word artists are like aunts and uncles to me. All of this shapes my concept of rapping and making music and informs the hip-hop that I create.

Part of developing as a musician and Emcee is to understand the tradition you’re coming out of. The MC/Emcee came about long before hip-hop. There were the street poets and griots who were rapping before English was forced upon us. Wampanoags had story keepers and song keepers. All of this is the foundation of my place as an Emcee.

Hip-Hop music is based in the drum. Aside from the boom bap, Hip-hop was taking bits and pieces of music from the West Indians, Cuba, Puerto Rico, and Blues and Soul from the US. The Bronx was a melting pot of all of these cultures. I was born in the Bronx and raised by a musician and griot.

Some of the mainstream hip-hop music is a clear example of hip-hop losing it’s direction and purpose. I’m trying to be one of the artists who actually has something to say and wants to honor the tradition that my music is built upon.

Catch his EP “At The Party” featuring 3 joints, each with ‘Club 808’ and ‘Boom Bap’ versions.

For More info, Visit: http://www.thezyg808.com

Facebook, Twitter, Instagram – @thezyg808

ITunes: https://itunes.apple.com/us/album/at-the-party-ep/1430238539

Stream:
Apple Music: https://itunes.apple.com/us/artist/the-zyg-808/1399922668
Spotify: https://open.spotify.com/artist/5Ypsz39qiQ0zL4Q3VV1keD?si=vba1bGUDST2JZ-jzCatZjw

Advertisement
Comments

Music

Philly’s Dell Corcetti Shares Melodic New Song, “Priceless”

Published

on

From Meek Mill to Lil Uzi Vert and Tierra Whack, Philadelphia is home to some of the hottest artists in the game. It should be no surprise we are sharing a new track from emerging 215 artist, Dell Corcetti. Titled “Priceless,” Dell croons over atmospheric production courtesy of Gibbo as he raps about his lady and lifestyle.

“With this song, I was aiming to capture the spirit of many songs from my old playlist that shaped my taste in music. That’s where I found my inspiration for how I stitched together my melodies. Not to mention, the beat alone already stirred inspiration inside of me. The producer (Gibbo) really did his thing.”

Stream Dell Corcetti’s “Priceless” below!

Stream Link: https://songwhip.com/dellcorcetti/priceless

Follow Dell Corcetti: 

Instagram / Twitter

Continue Reading

Music

.@RealRichIzzo Drops Bombs With “Welcome To Inkster”

Published

on

By

Detroit’s gritty streets have birthed another rap luminary as RealRichIzzo unleashes his fourth studio album, Welcome To Inkster. A potent blend of unfiltered authenticity and raw energy, this 16-track project is a visceral journey through the trials and triumphs of life in Inkster, Michigan. RealRichIzzo’s lyrical prowess and commanding presence on the mic shine through, supported by a roster of features including IceWear Vezzo, Mello Buckzz, and more. From the introspective House Arrest to the adrenaline-fueled Red Light, each track is a testament to RealRichIzzo’s ability to captivate listeners with his vivid storytelling and uncompromising delivery. His lyrics offer a glimpse into the harsh realities and undying loyalties that define life in his hometown, resonating with fans who connect with his unapologetic authenticity. Reflecting on his journey, he shares:

I wasn’t born to rap. I learned how to rap.

RealRichIzzo is on a mission to carve out his place in the rap pantheon. Collaborating with acclaimed producer CallUpTay on tracks like Cash App, RealRichIzzo elevates his sound to new heights, infusing each beat with his trademark intensity. As RealRichIzzo gears up to share his story with the world, he remains steadfast in his mission to represent Inkster and open doors for the next generation of artists from his hometown. RealRichIzzo’s meteoric rise from the streets of Inkster to the forefront of the rap scene is a testament to his resilience and determination. Dive into the world of RealRichIzzo below and experience the raw power of Welcome To Inkster. Connect with RealRichIzzo on Instagram, Twitter, and YouTube.

Continue Reading

Music

The Breadwinning Duo: G.T.B Kartel Delivers a dynamic single titled ‘Lil Baby’

Published

on

In the vast cosmos of hip-hop, a new constellation is rising, and it goes by the name of G.T.B Kartel. This group isn’t just another flash in the pan; they are the modern torchbearers of an age-old tradition that celebrates unity, family, and the collective power of collaboration. Their latest single, “Lil Baby,” is not just a track, it’s an anthem, a signal flare announcing the arrival of a duo that is here to redefine the genre’s landscape.

G.T.B Kartel, an acronym for Get To The Bread Kartel, isn’t just a name—it’s a mission statement. In the lineage of great hip-hop collectives like Wu-Tang Clan and Outkast, G.T.B Kartel reminds us that hip-hop is a space where brotherhood thrives and where the sum truly is greater than its parts. In a world that often glorifies solo success, G.T.B Kartel stands out by putting their bond and their music front and center.

Their single Lil Baby is a masterclass in contemporary hip-hop craftsmanship. From the very first whistle, the track grabs your attention and refuses to let go. The production is sharp, each beat and snare meticulously placed to create a rhythm that’s not only addictive but also innovative. The bars are confident, delivered with the kind of swagger that can only come from artists at the peak of their creative powers.

But “Lil Baby” is more than just a catchy tune—it’s the entrance to G.T.B Kartel’s universe, a realm where each note and lyric is carefully considered to create an experience that doesn’t just resonate, but also inspires. It’s a world where the beat doesn’t fade when the song ends; it echoes, lingering in the air like the promise of more to come.

As we look ahead to the future of hip-hop, it’s clear that G.T.B Kartel is not only part of the conversation but also driving it forward. They don’t just fit into the genre; they’re busy carving out their own space within it. “Lil Baby” is your invitation to join them on this journey—a journey where getting to the bread is about more than financial gain; it’s about crafting a legacy that will feed the soul of hip-hop for generations to come.

Continue Reading

Trending

*