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Robin Thicke and Pharrell’s Lawyers Seek New "Blurred Lines" Trial

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Robin Thicke and Pharrell's Lawyers Seek New "Blurred Lines" Trial

After a jury ruled that Robin ThickePharrell Williams, and T.I.‘s hit song “Blurred Lines” had copied Marvin Gaye‘s “Got to Give It Up”, Thicke and Williams’ lawyer implied that the decision would be appealed. Billboard reports that the “Blurred Lines” team are pushing for a new trial.

In a new motion presented Friday, Thicke and Williams’ lawyers argued that in the initial trial, there were errors in jury instructions, improper testimony from a musicologist, and insufficient evidence. They also claim that the jury’s verdict is inconsistent since T.I. was not found liable for copyright infringement.

One issue raised was that the copyright should be based purely on the sheet music for “Got to Give It Up”. It’s argued that since the jury heard Thicke’s statements about how Gaye’s “groove” and “feel” influenced the song—elements not included in printed sheet music—the lawyers argue that it’s “prejudicial and irrelevant” information. They also argue that since sheet music was the basis of the lawsuit, musicologist Judith Finell’s testimony on the similarities between the two recordings was “extremely prejudicial”. 

It’s also argued that the $7.4 million awarded to the Gaye family was double the profit Williams made from the song. They argue that since “the elements of [‘Got to Give It Up’] claimed to have been copied amount to less than 5% of the [‘Blurred Lines’] composition,” the judge should slash the award to under $680,000. 

The Gaye family also filed motions on Friday. In one, they argue that Interscope, UMG, and other companies should be held accountable. In another, they seek an injunction to stop distribution of the song. If that doesn’t happen, the Gaye family are asking for over 50% of all future revenues.

The judge will consider the motions at a hearing scheduled for June 29.

Read Damon Krukowski’s op-ed on the Thicke/Gaye lawsuit, “Plagiarize This”.

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Reckless Rhymacide Drops New Birthday Anthem “It’s Yo Birthday”

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Indianapolis’ own Reckless Rhymacide has just released his latest track, “It’s Yo Birthday,” produced by the renowned Whodunit Beats. This fresh spin on the classic “Happy Birthday” song brings a catchy vibe, making it a perfect fit for nightclub atmospheres and adult birthday parties. With its catchy beats and modern twist, the track is set to become a staple for birthday celebrations everywhere, offering a new, exciting way to mark the occasion.

Reckless Rhymacide’s “It’s Yo Birthday” showcases his unique flair for blending contemporary sounds with familiar themes, ensuring the song resonates with a wide audience. Whodunit Beats’ production enhances the track with deep, rhythmic basslines and sleek instrumentation, creating an immersive experience that draws listeners in. As the song gains traction, it’s poised to redefine how birthdays are celebrated, combining tradition with a fresh, energetic sound that captures the essence of today’s music scene.

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Unveiling BIG 4.1’s Anthem: “BIG SACK”

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Hailing from Gwinnett ‘DA NAWF’, BIG 4.1 emerges as a beacon of authenticity in the realm of hip-hop. With his latest track, “BIG SACK,” recently released and produced by the skilled Joe Peoples, BIG 4.1 delivers not just a song, but a mantra for financial empowerment and self-improvement. In a world obsessed with flaunting bags, BIG 4.1’s message cuts through the noise, urging listeners to focus on filling their “BIG SACK” with tangible wealth rather than mere appearances.

The song’s genesis stems from BIG 4.1’s desire to instill a culture of financial responsibility and foresight. Emphasizing the journey from a single $100 bill to a sizable nest egg, “BIG SACK” serves as a daily anthem for those striving to secure their futures. In an exclusive statement, BIG 4.1 explains his motivation: “It’s that time, it’s right on time for what’s going on and to teach our culture to save up that BIG SACK start at 20. By the time you’re 40 you can retire yourself if you do it right.” With lyrics that resonate beyond the beats, BIG 4.1 aims to spark a movement towards financial literacy and empowerment.

As BIG 4.1 gears up for his show in Anderson, South Carolina, alongside his team, the BOONDOCK KINGS, his mixtape “ME VS ME BAR-4-BAR THE MIXTAPE Vol 1” sets the stage for a musical revolution. Promising “HIP Rock” or “Kuntry Rap,” BIG 4.1 delivers an authentic sound that transcends genres, appealing to listeners from all walks of life. With originality and consistency as his guiding principles, BIG 4.1 stands out not just as an artist, but as a visionary ushering in a new era of meaningful music.

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Victor Ray’s Heart Explodes In “i tried.” EP

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Victor Ray, the rising star on Capitol Records, is set to release his highly anticipated EP, i tried., on June 14th. Until then he unveils the soul filling single Falling Into Place featuring the mesmerizing vocals of UK soul star Debbie. Written from personal experience, the track delves into the whirlwind of emotions that come with falling for someone new, capturing the hope and uncertainty of budding romance. According to Victor:

Falling Into Place” is about “meeting a stranger that you know could end up becoming a lot more.

Debbie relating to the same sentiment added:

The song makes you feel something.

Their collaboration brings an additional depth to the tracks genuine emotion. The EP follows Victor’s sold-out European tour and sees him joining Teddy Swims on his sold-out UK tour, kicking off in Manchester. Named as Apple Music’s new Up Next UK artist, Victor continues to captivate audiences with his soulful sound and heartfelt lyrics. Don’t miss out on his latest musical journey and follow Victor Ray today on TikTok, Instagram, YouTube, and Spotify. Stream “Falling Into Place” below and here.

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