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Why This Video Vixen’s Response To Her Offensive Costume Is Garbage

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#KaylinGarcia VS. Fans! #clapbackseason #HalloweenEdition #JoeBuddensEx

A photo posted by The Shade Room (@theshaderoominc) on Oct 25, 2015 at 9:11pm PDT

 

It’s one thing to be wrong and admit your fault. It’s another to be wrong, called out on it, and then proceed to point fingers.

As expected, Halloween festivities have begun and the offensive costumes are already rolling out. The most recent offense goes to Kaylin Garcia, the Miami-bred work out enthusiast who’s most known for her relationship with rapper, Joe Budden.

The 20-something posted a photo of herself dressed as a Native American in a feather headpiece, fringe mini skirt and beaded heels. Now, to the clear eye, this would immediately set off red flags as a no-go. We’d like to think we live in a world socially sensitive enough to know dressing up as a person from a distinct culture from which you don’t belong to, is not OK.

But ohhh, no. Ms. Garcia, had no restraint. And in fact, clapped back at commenters who disagreed.

 

Kaylin Garcia InstagramPhoto: Instagram 

“To ALLLLL the Native Americans commenting on my s**t, saying it’s offensive or how dare me,” she starts off. “This is me embracing your culture I’m not doing or saying a damn thing to offend yall. I’m in a freaking costume for crying out loud. Yall take s**t too serious, every year it’s some s**t. Yall collectively get a check just cause you’re Native American. WTF yall complaining about. If the COSTUME bothers yall that much then yall COLLECTIVELY need to get together and write a letter to Party City to discontinue all Native American costumes. I love yall but just get off my IG with BS if it aint all love. #PartyCityStartingProblems”

The model/actress/workout guru does have one thing correct, Party City should be more sensitive to cultures and maybe consider what they offer in stores. But let’s look at this response from another angle, or say, another race.

If Garcia, who comes from a single-parent home with rough beginnings and has an affinity toward twerking, were culturally appropriated, how would it look? Would she be offended if someone took the way she dresses or physical features she has, and made a costume out of it? Would this costume seem like a dig to her very existence?

We’re not exactly sure how she would react, but we do know as someone of color, she should have had more foresight in seeing the problem with the costume. And as an adult, she should have more sense than to blame a mega-conglomerate for forcing her hand in picking this costume.

Again, we told you all about basic costume ideas. But maybe we should take another stab at this so everyone understands it’s not kosher.

What are your thoughts on Kaylin Garcia’s costume? Are we being too sensitive or is she in the wrong?

The post Why This Video Vixen’s Response To Her Offensive Costume Is Garbage appeared first on StyleBlazer.

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G-Eazy Re-surges With Remix Of Viral Hit “Lady Killers III”

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Yesterday marked the release of G-Eazy‘s Lady Killers III. A fresh rendition of his explosive viral hit originally dropped in 2012. The recent success of the remix underscores the timeless appeal of G-Eazy’s music and his ability to resonate with audiences across different generations. Teaming up with veteran producers MD$, Tane, and music artist Goody Grace, along with his long-time collaborator Christoph Andersson, G-Eazy breathes new life into the beloved track. This remix comes amidst a surge in the song’s popularity, reaching impressive positions on various charts and platforms. G-Eazy spoke on the remix:

It feels like there’s a big wave of nostalgia going on right now, and I wanted to tap into that.

In addition to the remix, G-Eazy recently unveiled his latest single Femme Fatale, featuring Coi Leray and Kaliii. This release marks his return to the music scene after a year-long hiatus, showcasing his diverse musical influences and artistic evolution. With an impressive track record of platinum-certified albums and chart-topping singles, G-Eazy continues to solidify his position as a multi-faceted artist and influential figure in the music industry. Experience the revitalized energy of “Lady Killers III” by listening to the track here and watching the visualizer below. Don’t miss out on G-Eazy’s latest musical endeavors that promise to captivate audiences and ignite a new wave of appreciation for his artistry.

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@MoneybaggYo’s “Speak Now” Album Ignites Anticipation

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Prepare for a sonic revolution as Moneybagg Yo, the revered Memphis native, announces the release date for his highly anticipated album, Speak Now. Set to drop on May 24th this album marks Bagg’s eleventh solo project, following the monumental success of his previous albums. With a fusion of street sensibilities and modern trap influences, Bagg’s music resonates with audiences worldwide, solidifying his position as a rap titan. Moneybagg Yo shares:

‘Speak Now’ represents a new chapter in my journey as an artist. It’s a testament to my growth and evolution, both as a musician and as a person. I poured my heart and soul into this album, and I can’t wait for my fans to experience it.

Hip Hop Weekly hailed Moneybagg Yo as:

A versatile voice in hip-hop, blending authenticity with innovation to create music that transcends genres.

Collaboration has been instrumental in shaping the sound and style of “Speak Now,” with Moneybagg Yo joining forces with a diverse array of artists and producers. From his chart-topping collaborations with Future, Lil Durk, and Polo G to his solo hits like Wockesha and Time Today, Moneybagg Yo’s music is a testament to the power of collaboration. As the release date approaches, anticipation mounts for the unveiling of “Speak Now” and the opportunity to witness Bagg’s unparalleled talent in action. Stay tuned for the release of the album and join Moneybagg Yo’s musical journey by following him on Facebook, YouTube, Twitter, Instagram, and TikTok. Watch the official video to Bussin featuring Rob49 below.

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Mobby Rosas – “Up To Sum” f/ Westside Boogie (Video) + “The 4th Step” (Album)

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The track “up to sum” is one of my favorite stories of how a collaboration came about. WESTSIDE BOOGIE had posted an open verse challenge for his song “Mood” on instagram and I picked it up. I’ve done a few open verse challenges before, to no favorable outcome other than just posting more content. I didn’t think much would come of this verse entry. I recorded my video audition for the song while at work, I was a server at a hotel restaurant in downtown LA, in uniform and all. I posted it and tagged WS Boogie and to my surprise, he DM’d me saying that he thought my verse was hard and if I ever wanted him on a project, he was down. I remember reading the message at work and being in shock. I had wanted to work with WS Boogie for years and had even tried to reach out in the past, to no response. I immediately hopped on the opportunity to.
https://open.spotify.com/album/0pzXb8U4YlzfMyDWJmBfHS

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