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Jay Z Defends Tidal on Twitter with #TidalFacts

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Last month, Jay Z and his millionaire musician friends (Beyoncé, Alicia Keys, Madonna, Kanye West, Rihanna, Nicki Minaj, Usher and more, who are all part owners) teamed up to launch “Tidal” — a “global music entertainment platformed owned by artists” — to much fanfare.

Ever since then, the service has been experience a wave of bad press, with critics predicting its failure, only made worse by the fact that no one is really signing up for the subscription-only service. Even Kanye has distanced himself from the company.

As of now, it is the 49th most popular music app in the iOS app store, and overall, it’s not even in the top 700. Meanwhile, Tidal’s main competitors Spotify, Pandora, and Beats Music are all at least in the Top 100.

This is what Gawker had to say about Tidal:

Some of Tidal’s problems were apparent to anyone who is not a wealthy member of the illuminati or close personal friend of Jay Z: its main value proposition was that, for only 10 dollars a month more than you’re paying for Spotify—that’s just two Starbucks lattes!—you can feed and clothe the famous multimillionaires you see on your screen.

But it also had some less obvious flaws, like a very shittily-designed app with broken search functionality and a marketing message—attacking those other, non-artist-benefitting streaming services—that seems to have helped Spotify more than it helped Tidal. Boy Genius Report points out that Spotify saw a nice spike in downloads coinciding with the day Rihanna, Nicki, Kanye, Madonna and Jay-Z took the stage to reclaim music for the top-40 artists who already dominate it.

The general consensus among critics and music fans alike is that no one wants to further line the pockets of these so-called “struggling musicians” who have more money in their bank accounts than most of us will ever see in a lifetime.

Also, no one really cares about “exclusive” content or “high fidelity” audio. We just want to listen to music and not feel like we’re buying Blue Ivy her own Bentley in the process.

But Jay Z says that’s not what Tidal is about. And in response to the backlash, on Sunday (Apr 26), the 45-year-old Hip Hop mogul took to Twitter — a platform which he rarely uses — to air out his grievances with critics and defend his company with #TidalFacts.

Despite the negative press, The Jigga Man claims that Tidal is “doing just fine” and has acquired over 770,000 subscribers in less than a month. “We are here for the long haul,” he wrote. “Please give us a chance to grow & get better.”

Look below for more #TidalFacts:

Stream of consciousness coming in 5, 4, 3, 2… #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

Tidal is doing just fine. We have over 770,000 subs. We have been in business less than one month. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

The iTunes Store wasn't built in a day. It took Spotify 9 years to be successful…

— Mr. Carter (@S_C_) April 26, 2015

We are here for the long haul. Please give us a chance to grow & get better. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

There are many big companies that are spending millions on a smear campaign. We are not anti-anyone, we are pro-artist & fan. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

We made Tidal for fans. We have more than just music. We have video, exclusive concerts, tickets for events early, live sports!…

— Mr. Carter (@S_C_) April 26, 2015

….Tidal is where artists can give their fans more without the middlemen. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

Indie artists who want to work directly w/ us keep 100% of their music. "If you don't want the CEOs all in the videos" haa #tidalfacts

— Mr. Carter (@S_C_) April 26, 2015

Tidal pays 75% royalty rate to ALL artists, writers and producers – not just the founding members on stage.

— Mr. Carter (@S_C_) April 26, 2015

Rich getting richer? Equity values… YouTube $390 billion. Apple $760 billion. Spotify $8 billion. Tidal $60 million. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

My cousin just moved to Nigeria to discover new talent. Tidal is a global company.

— Mr. Carter (@S_C_) April 26, 2015

We have Tidal X – it supports artists by giving them a platform to connect with their most loyal fans. Tidal is for all. #Tidalfacts

— Mr. Carter (@S_C_) April 26, 2015

Our actions will speak louder than words. We made Tidal to bring people the best experiences…

— Mr. Carter (@S_C_) April 26, 2015

and to help artists give that to their fans over and over again…

— Mr. Carter (@S_C_) April 26, 2015

We are human (even Daft Punk ha). We aren't perfect – but we are determined. #TidalFacts

— Mr. Carter (@S_C_) April 26, 2015

Jay Z Defends Tidal on Twitter with #TidalFacts is a post from: Gossip On This – Pop Culture, News, Sports, Videos & Humor

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Rawrrzone Picks – FaxoHxzrd Faded

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photo courtesy of @faxohxzard on Instagram

It’s amazing to see how much progress has been made, not only in the world of music but also in terms of tolerance and acceptance of different genres worldwide. Reflecting on their childhood, many can relate to not being allowed to listen to certain types of music, let alone pursue a career in it.

Growing up in a Greek household, there were limitations, and pursuing a career in music seemed like a distant dream. In many families, the expectation was to follow a more conventional path, such as becoming a teacher or a doctor. Back then, familial support for artistic endeavors was rare. However, as we step into 2024, things have significantly changed.

Parents are now not only supportive but encouraging of their children pursuing their creative dreams. There’s a newfound appreciation for the creative arts, and families play a crucial role in nurturing and supporting their children’s aspirations. This shift marks a significant change in societal attitudes towards creativity and the arts.

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The 12-track project, heavily influenced by New York drill with elements from the Vermont music scene, offers a smooth listening experience. The album not only showcases Faxohzrd’s confidence but also his passion for music.

As someone once told us, there’s a difference between artists who create to connect with their audience and those who create solely for profit. Faxohzrd aims to move his crowd and make them experience his music fully.

For example, in “Kobe Bryant,” he displays his pen game and wordplay, cleverly referencing the late Kobe Bryant’s jersey number, 24. FaxoHzard takes his shot and never misses.

“Lobotomy” is a straight pen track where he exhibits some of his best bars, blending boom-bap and drill beats, giving off takeover vibes as he talks about eliminating his competition as if performing a lobotomy.

“On Me” is a track dedicated to the ladies. Faxohzard acknowledges the women in his life, recognizing how they have always supported him and declaring his affection for his dream woman. The song gave me a taste of Mac Miller while listening to it.

Although these were our favorites from the project, without giving too much away, you need to check out the entire project for yourself.

Make sure you follow him on Instagram

https://www.instagram.com/faxohxzrd/

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Artist

Lil $o$o Enjoys The View In New Visual “Passion”

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Enlisting Sexyy Red director Suave Films for the Remdolla produced small screen interpretation, Lil $o$o signals a compelling exploration beyond her usual Rap style and leans into the realm of R&B with the release of “Passion.” Following “Enhancements,” the timely track unveils a vulnerable dimension that showcases her versatility as an artist. With emotive lyrics and a smooth melody, “Passion” shines light on a deeper layer of $o$o’s artistry, inviting listeners into a journey of introspection and raw emotion.

In a press statement to Medium Creative Agency about single, the Issa Rae-approved “Florida Girl” reveals: “I love this record because it really shows another side of me. Sometimes, I feel like people are so materialistic or surface level, and I really am starting to see that ‘real’ is rare. I hope to find something deeper than that and that’s what made me put that into my music.”

There’s something in the water. From the City Girls to Kodak Black, with a long list of others, the Sunshine State has been the stomping ground for hip-hop’s culture shifters. Entertainer Lil $o$o is looking to keep that tradition alive. Despite being native to Chicago, since moving to Miami in her early childhood, she’s proudly claimed it as her musical home.

The 22-year-old Colombiana, whose real name is Sofia Donado, has persevered through trauma and pain and continues to show up for herself and her 3-year-old son, who she’s raising as a single mom. Lil $o$o’s boyfriend was gunned down in 2019, while sitting in his car, leaving her without a partner and their son without a father. He was in the music business, and after his passing, Lil $o$o found healing in discovering her musical voice. The result was upbeat rhythms intended to make people dance, smile, and feel free. It was the only way she knew how to make things better.

After laying the groundwork with promo singles “Better Life,” “Go Ooh,” “Bad Attitude,” and “Woo Tang,” the rising rapstress made her official debut Summer of 2022 with ‘$o$o World.’ Executive produced by mentor and label head LunchMoney Lewis, the 14-track collection of records includes additional instrumentation from JulianBeatz, SFL Xavi, TheonlyDiet, Toju, BrianXWhite, Diem, and SoundsbyBreezy. Guest features come by way of Roc Nation recording artist Bobby Fishscale, XXXTentacion affiliate C Glizzy, Warner Records vocalist Savannah Cristina, and Nelle.

Press play on the HD-clip for “Passion” as well as stream the official audio on your DSP of choice below via Black 17 Media / The Orchard.

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FrankDawg Drops New Song, “Hold Me”

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In the world of music, there are songs that simply entertain, and then there are those that touch the depths of our emotions, resonating with us on a profound level. FrankDawg’s latest release, “Hold Me,” falls firmly into the latter category, offering listeners a powerful journey through themes of love, longing, and vulnerability.

From the moment the first notes hit, “Hold Me” pulls you in with its soulful melody and haunting lyrics. FrankDawg’s rich vocals convey a sense of raw emotion, drawing listeners into the heart of the song’s narrative. Each verse is a glimpse into the complexities of human relationships, exploring the highs and lows of love with honesty and depth.

FrankDawg On The Mic – hold me

Streaming everywhere may 14th music video available now go presave

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