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EXCLUSIVE: "The Door" Director Ava DuVernay–Talks Historical Sundance Award & Telling TRUE STORIES About Black Life

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Award-winning filmmaker Ava DuVernay is helping usher in a new wave of Black directors and auteurs committed to creating realistic depictions of Black life.  And the up and comer’s got top YBF celebrity women and fashion houses like Gabrielle Union, Alfre Woodard and Miu Miu Prada already in her fold. 

 

Meet Ava inside to find out why, and her take on what’s missing on the big screen…

Indie director Ava DuVernay and her wonderfully shot depictions of African American life have been bubbling over since her directorial debut with the critically-acclaimed 2008 hip hop documentary, "This is The Life." But it was her 2012 historic win at the Sundance Film Festival for her second feature, Middle of Nowhere, that has help generate a much-needed buzz around Black film and their need for an audience.

She’s the perfect subject to close out our Black Making History campaign on the last day of Black History Month.  As the first black woman to win the Best Director prize at Sundance, Ava prides herself on telling realistic stories about Black life and creating a platform to help other storytellers. During an exclusive chat with TheYBF.com, Ava opened up about her journey and how Black audiences can access the films that tell the stories they desire to see.

Ava is a graduate of UCLA where she studied English and African American studies.  And she began her career as a studio publicist for tv shows like "Girlfriends" and movies like Dreamgirls and The Help.  So how did she make the leap?  She tells us, "Being on a film set and being around directors, I started to catch the buzz and I said to myself, ‘I can do that. I have stories to tell. I wanna to give it a shot.’"

But with bills to pay, Ava realized she needed to keep her full-time gig while exploring her newfound interest.  One year, she used her Christmas break to make a film (because she never went to film school, she considers that to be her first film). And with that…she became a full-fledged filmmaker.  

"There was a lot of fear around it (making films), but one of the things that helped me was that I did it gradually. I think a lot people think that when they have a dream it needs to be all or nothing right away.  And I think it was really powerful for me to keep my one foot in what I knew and just dip my toe in experimenting and following the dream."

So how’d she go about making the dream come true?

"I would write or direct things at night. I would go observe other directors on the weekend and I would still have my full time job as a publicist. I think that helped me when I look back."

Her advice to other artists chasing their dream is, "You don’t have to make a change cold turkey. You can do it gradually and then look up and you have gotten to where you are going."

And where Ava’s going and where she’s been shows quite an impressive journey.  In 2010 she directed three network documentaries in 2010 including "My Mic Sounds Nice" ( a definitive history of female hip hop artists) the "Essence Music Festival 2010" (documenting the nation’s largest annual African-American entertainment gathering) and "Faith Through The Storm" (about black women Katrina survivors). And 2011 saw the release of I Will Follow starring Salli-Richardson-Whitfield, which Ava wrote, produced and directed.

But it was her Sundance win for Middle of Nowhere, which tells the story of a black woman struggling to support her incarcerated husband, that brought international attention to her method of storytelling.  

And that win helped opened the door (literally) for a silent-film she produced for Miu Miu Prada called "The Door", starring Gabrielle Union and Alfre Woodard.  And it took the internet by storm.

When asked about her approach to films, she shared,

"I just want to tell true stories that deal with real Black people and not the most heightened and tragic moments. Those things do happen, but there are also parts of our lives where we struggle with the normal emotions of our heart like grief, fear, loyalty and love.  I feel like I see those things portrayed in films for mainstream culture but everything I see in Black films is heightened.  In my films I just try to show everyday black people living everyday lives that are spectacular just in their everydayness."

For folks who constantly complain about the current crop of Black films that normally see wide releases, Ava adds,  "The films that we want are there….but they are not getting to us easily. We have to demand them."

 

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Ava, who just won the prestigious John Cassavetes Award for ‘Middle of Nowhere’ this month (pictured above) at 2013 Independent Spirit Awards, shared that there are many more Black directors and filmmakers out there who are telling stories that deserve to be heard.  To help spread the word, she founded AFFRM, the African-American Film Festival Releasing Movement, which aims to distribution independent African American films.

"There are a lot of these beautiful independent films by black directors that are so gorgeous but we can’t get larger audiences because people just don’t know about them. We want to get more Black people aware that there are great films out there and when they come to your city….you have to go see them and you have to tell people about them!"

It’s one thing to complain about the state of black film, and it’s another to recognize the importance and make history by doing something about it.  Follow Ava DuVernay on Twitter at @AVAETC.

Find out more about Black filmmakers and their movies online at AFFRM and on Twitter @affrm.

Check out the rest of the features in YBF’s Blacks Making History Campaign below:

Sam Fine, Makeup Guru

Johnny Wright, Personal Hairstylist to First Lady Michelle Obama

Rihana Gunn-Wright, 2013 Rhodes Scholar

Steve Stoute, Ad Executive

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Kayla Janae’s “Heart Crime” Proves She’s a Rising Force in R&B

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R&B fans, if you haven’t heard of Kayla Janae yet, now’s the time to get familiar. Her latest single, “Heart Crime,” featuring the soulful group Afterours, is a standout track that blends old-school R&B vibes with a fresh, modern sound.

On “Heart Crime,” Kayla showcases her impressive vocal range, moving effortlessly from smooth, ethereal tones to powerful, commanding notes within a single track. Her ability to blend emotion and technical control makes her a standout in today’s R&B landscape. The song begins with her signature soft and sultry sound, gradually building in intensity and emotion, taking listeners on a dynamic journey.

The collaboration with Afterours is a perfect match. Their harmonies add depth to the track, creating a lush and textured sound that’s both timeless and innovative. The emotional depth of the lyrics, especially in the poignant bridge where Kayla sings, “When we start over / We can start over baby, we can make it right,” gives the song a deeply personal touch that resonates with listeners.

With “Heart Crime,” Kayla Janae is proving she’s a force to be reckoned with in the R&B world. Her upcoming EP, “Always and Fornever,” set to release on September 27th, promises to showcase even more of her vocal talent and storytelling ability. As she continues to rise, one thing is clear: Kayla Janae is a name to watch in R&B.

Listen to “Heart Crime” now:

 

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T.O. Lestat: Merging Boom Bap and Mental Health in a New Era of Rap

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Hip-hop fans, prepare to dive into the world of T.O. Lestat, an artist who is seamlessly blending the hard-hitting sounds of boom bap with the deep, emotional exploration of mental health. Since his emergence in 2022, T.O. Lestat has quickly gained recognition for his powerful performances, striking art installations, and heartfelt music that sets him apart from others in the industry. This is more than just rap—it’s an immersive journey through the mind of an artist reshaping the genre with raw emotion and visual creativity.

Beyond the music, T.O. Lestat offers fans exclusive access to his world through limited-edition merchandise, including autographed physical media, posters, and other rare collectibles. His “Private Selection of Art, Music & Merchandise” allows supporters to own a piece of his legacy, giving them a glimpse into his expansive artistic vision.

T.O. Lestat has released a string of standout projects, including FukOffMe, Insights, Fukin Judith (T.O. Mix), Baby Mama Drama EP, Microphone Maestro – T.O. Mix, and Mental HELLth. Each release showcases his versatility and talent for reimagining boom bap with innovative lyrical patterns and dynamic wordplay. His storytelling is vivid and visual—you don’t just hear his bars, you see them.

T.O. Lestat’s music takes listeners on an emotional journey, blending raw personal experiences with abstract visuals. His project Abstraxt Conxergence stands as a perfect example, merging gritty reality-based rhymes with distorted still photography, creating an artistic experience that hits both the eyes and ears.

In his most recent project, Mental HELLth, T.O. Lestat dives deep into the struggles of mental health, offering an introspective look at his personal battles with setbacks and disabilities. It’s a powerful and vulnerable exploration of the mind, filled with clever bars and intricate flows that fans have come to love. In an industry where creativity can feel limited, T.O. Lestat refuses to be confined, blazing his own trail and pushing boundaries.

With more on the horizon, T.O. Lestat’s journey is just beginning. Explore his music and step into a world where rap and mental health intersect, creating a profound and unforgettable artistic experience.

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New Video: Brandon Grindz x Bugsy – Loosing Weight

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Check out the latest visual for “Loosing Weight” by Brandon Grindz and Bugsy, shot by Clipsfilms! This music video delivers a gritty street narrative with raw energy and authenticity. The visuals complement the track’s hard-hitting lyrics, showcasing the duo’s unique rap flows and chemistry. If you’re a fan of underground rap, this video is a must-watch, with its sleek production and captivating scenes. Catch it on YouTube for a fresh taste of Brandon Grindz and Bugsy’s undeniable talent.

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